Not very many people understand, but the overall effectiveness of a first-class portrait sculpture is dependent almost totally on not necessarily the actual head but the chest and shoulders. The truth is, a portrait sculpture - while it undoubtedly concentrates attention around the face and head - will always include the chest and shoulders, because if it failed to it could provide the effect of a disembodied head. We must always remember that shoulders and chest area help the person to support the head in a variety of ways and in many respects define the distinctiveness of the actual subject involved.
It's stated that you can pick up on personality through the manner in which the head is anchored to the actual body. Put simply defiance, joy, unhappiness and so forth are linked to how the neck and head actually sit. Imagine for a minute how a particular person near to you is actually telling you precisely how they feel without recognising it simply by the manner in which they are holding themselves.
It's at the same time crucial to refer to shoulders as well as chest area in terms of a specific work, whether a contemporary sculpture or perhaps otherwise, to obtain a fuller knowledge of the subject by looking at a rendition of the garments appropriate to the person.
One of the largest challenges for almost any artist is in working to record the heart and soul of the individual inside a static structure. For instance, the way that the subject's eyes appear as well as their placement, the facial expressions and the tilt of the head. The way that shoulders affect the posture and pose are typical problems that the designer must consider or the completed work will simply not ring true to those who might intimately know the subject.
There is lots to think about in terms of the development of a contemporary sculpture. This is certainly correct in terms of a bronze sculpture because this is traditionally a far more demanding medium to use.
The next time you have a look at a sculpture imagine what the creator was required to address whilst he or she developed the completed work of art.
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